mvc-002s                             Florence District One

Music Unit Plan  2009-2010

 

Booster Club Website: web.mac.com/efigueras       

Music Office: 843-292-1575

Teacher:  Erick J. Figueras

School:  SFHS

Grade Level:   Chorus 9-12

                                         MUSIC STANDARDS

                                                         (Lessons Follow)

I.  SINGING

VI.  ANALYZING

Singing, alone and with others, a varied repertoire of music.

Students will:

A.      Sing with stylistic accuracy and good breath control, alone or in small and large ensembles.

B.       Sing with expression and technical accuracy.

C.       Sing music written in two and three parts.

 

Listening to, analyzing, and describing music.  Students will:

A.      Use appropriate terminology to describe specific music events in a given aural example.

B.       Analyze the uses of the elements of music in examples representing diverse genres and cultures.

  1. Analyze music by identifying basic principles of meter, rhythm, tonality, intervals, and chords.

II.  PERFORMING ON INSTRUMENTS

VII. EVALUATING

Performing on instruments, alone and with others, a varied repertoire of music    Students will:

A.        Perform on at least one instrument accurately and independently, alone and in ensembles, with good posture and playing position and with good breathe support or good bow or stick control.

B.       Perform with expression and technical accuracy on at least one string, wind or percussion instrument a repertoire of instrumental literature with a level of difficulty of 2 to 3 on a scale of 1 to 6.

C.        Play music representing diverse genres and cultures with expression appropriate for the particular work they are performing.

D.      Play by ear simple melodies on a variety of classroom instruments.

E.       Perform major and/or minor scales as outlined in the South Carolina Music Educators Association Handbook.

Evaluating music and music performances.

Students will:

A.      Develop criteria for evaluating the quality and effectiveness of music performances and compositions and apply the criteria in personal listening, composing, and performing.

B.       Evaluate the quality and effectiveness of their own performances and those of others by applying specific criteria appropriate for the style of the music and offer constructive suggestions for improvement.

 

III.  IMPROVISING

VIII. MAKING CONNECTIONS

Improvising melodies, variations, and accompaniments.  Students will:

A.      Improvise simple harmonic accompaniments.

B.       Improvise melodic embellishments and simple rhythmic and melodic variations on given melodies in major keys.

C.       Improvise short melodies both without accompaniment and with basic rhythmic accompaniment, each in a consistent style, meter, and tonality.

Understanding relationships between music, the other arts, and disciplines outside the arts.    Students will:

A.      Explain the similarities and differences in the meanings of common terms used in the various arts disciplines (e.g., “texture,” “color,” “form,” “movement”)

B.       Explain how the principles and subject matter of other disciplines interrelate with those of music.

IV. COMPOSING AND ARRANGING

IX. RELATING TO HISTORY AND CULTURE

Composing and arranging music within specified guidelines.

Students will:

A.       Compose short pieces within specific guidelines.

B.       Arrange simple pieces for instruments other than those for which the pieces were written.

C.       Use a variety of traditional and nontraditional sound sources, including electronic media, when composing and arranging.

 

Understanding music in relation to history and culture.   Students will

A.      Describe distinguishing characteristics of representative music genres and styles from a variety of cultures.

B.       Classify by genre and style (and, if applicable, by historical period, composer, and title) a varied body of high-quality musical works and explain the characteristics that cause each work to be exemplary.

C.       Compare and contrast the various roles of musicians in society, name representative individuals who have functioned in each role, and describe their activities and achievements.

V. READING AND NOTATING

 

A.      Read whole, half quarter, eighth, sixteenth, and dotted notes and corresponding rests in 2/4, 3/4, 4/4, 6/8, 3/8, and alla breve meter signatures.

  1. Sight-read simple music with a level of difficulty of 2 on a scale of 1 to 6 in the clef appropriate for their instrument and begin the study of alternate clef systems.
  2. Identify and define standard notation symbols for pitch, rhythm, dynamics, tempo, articulation, and expression.
  3. Use standard notation to record musical ideas.

 

                                     

                                      CHORAL LESSON PLANS

       (These plans may change considerably for a variety of reasons)

 

Teacher:  Erick J. Figueras, Chorus                                                   Lesson Period: Nov. 1 - Dec. 16

Objectives:

The student will be able to do:

* perform on accurately and independently, alone and in ensemble with good posture, playing position, and good breath control.

* perform with expression and technical accuracy the music in their folder.

* perform music representing diverse genres and cultures with expression appropriate for the work being performed.

* read whole, half, quarter, eighth, sixteenth and dotted notes and rests in 2/4, 3/4, 4/4, 6/8, 12/8 and alla breve meter.

* read at sight simple melodies

* identify and define standard notation symbols for pitch, rhythm, dynamics, tempo, articulation and expression.

* describe specific music events in a given aural example, using appropriate terminology.

* analyze music identifying basic principles of meter, rhythm, tonality, intervals and chords.

* develop criteria for evaluating the quality and effectiveness of music performances and compositions and apply the criteria in personal listening and performing.

* evaluate the quality and effectiveness of their own and other's performances by applying specific criteria appropriate for the style of the music and offer constructive suggestions for improvement.

 

 

Materials/Resources:

  _x_   Sheet Music

  ___   Scale Sheets

  ___   Method Books

  ___   Tuner

  ___   Metronome

  _x_   Handouts

  ___   Drill Charts

  ___   Music Stands

  ___   Count Sheets

  ___   Instruments

  _x_  Piano

  _x_  Stereo

  ___  Computer

  ___  TV/VCR/DVD

  ___  Other:  ________

 

Procedures/activities:

TEACHER ACTIVITIES:

I will warm up the ensemble with: stretches, breathing exercises, and scales

I will rehearse selections noted on the board throughout the week.

I will teach, review and test the languages and music theory aspects of each piece

 

ACTIVE UNITS:

Silent Night

     Lessons: learn notes Pg. 4 - end

I’ve Got My Love to Keep Me Warm

     Lessons: learn notes Pg. 3 - end

Joy to the World (Jeremiah)

     Lessons: learn notes Pg. 3 - end

Scarborough Carol

     Lessons:  learn notes pg. 2 - end

Fa-la-la Variations

     Lessons: learn notes (all)

Little Drummer Boy

     Lessons: learn notes (all)

 

ALL CITY CHOIR AUDITIONS THROUGHOUT THIS PERIOD

MEMORIZATION TESTS

SOLOS AUDITIONS

 

Instructional Strategies:

  _x_  Rehearsal

  _x_  Lecture

  ___  Notes

  ___  Video

  _x_  Group Activity

  ___  Discussion 

  _x_  Demonstration

  ___  Evaluation of 

            Audiotape

  _x_  Evaluation of

            Video/DVD

  ___  Computer Lab

  ___  Media Center

 

 

State Standards:

I – C          II – A, B, C, E

 

V – A, B, C, D    VI – A, C

 

VII – A, B           IX – A

Assessment:

_x_  Observation             ___  Test  (Individuals)        _x_  Class Participation

___  Q & A                      ___  Homework                   ___   In Class Worksheets

_x_  Quiz  (quartets)       ___  Performance Projects    ___  Run-throughs

_x_  Having Pencil and Music in Class                         ___  Foreign Pronunciation

___  Other:  ___________________________             ___  See Attached

 

Please realize that these are long range plans and that the instruction or music selected may vary from day to day depending on the students needs and results from the previous day’s class.